Showing posts with label heraldic. Show all posts
Showing posts with label heraldic. Show all posts

25 September 2023

SCA: Heraldic Table Runner For the New Sprezzatura Table

 Once the table for Sprezzatura's camp was complete I wanted a nice bit of something to go over the top of it.  I briefly considered painting the household's heraldry onto the top of the table, but the table will be covered with food and drink and all sorts of other stuff at events, so I decided to do make a fabric table runner - it will be easier to see, make the table look nicer, and be washable in case of spills.  


The fabric is cotton broadcloth, with cotton/poly bias tape edging. The appliqué is quilting cotton, backed with fusible interfacing, and the whole thing is backed with more blue broadcloth so that the back of the appliqué is hidden and protected. 

I haven't done appliqué in about 8 years, and I've never done it on my current sewing machine.  The machine did NOT want to cooperate. It's not perfect - I've done better in the past - but for not having done it in so long and having to practically alligator-wrestle this sewing machine into doing what I wanted, I think it came out pretty well.  I'm satisfied with it. 






07 October 2019

A Heraldic Chest

In 2014, when I made this chest for my friend Simona, I made one for myself, too.   I didn't stain or finish it - it came in very handy at events, but it was always unfinished.  Eventually I painted it plain black.   I've always wanted to do something cool with it, but I never got around to it.








However, I finally painted it!  It's an adaptation of my device





I painted one half of each side of the box white with 3 coats of Killz primer;  then painted the red parts with red artists actylics and acrylic craft paint.  I used  artists' acrylics for the green leaves.  I coated the entire box with polyurethane to seal the paint.  While the hardware was off the box, I also sprayed the handles with primer and then a metallic gold spray paint, to spruce them up since they were looking a bit tarnished and gross.

I'm not sure exactly how to use it, though.  I used to use it at big events to pack and store all of my underthings and accessories - braies and bras, socks, headgear, and jewelry.  On the other hand, my feast basket recently died and I'm thinking this chest might make a great little feast box.  I'm not sure yet.







What's Next? 

I still need to fix or replace the back of the blue chair I re-covered a few weeks ago.  I may also make a new cover for my old parasol this week,  if I have time.  And, of course, Valkyrfelt is coming up - not this weekend, but next, and I'm planning and scheming like mad because I'm nervous as hell about camping for the first time in nearly three years.  




26 February 2015

A Quick Pre-War Update

HOO BOY have I been nose-to-the-grindstone-sewing-machine lately.  Today I pulled ten hours straight!  I'm happy to say that I'm on schedule and moving right along.  I'm a bit apprehensive of this weekend; I'm taking the weekend off to attend a local event (after having spent last Saturday at regional war practice, and most of Sunday at a workshop day at a friend's house (at which I got many things done, actually)  - so I'll lose a day and a half of work time, but I definitely need the mental break!

So I have looooots of things to show you, mostly having to do with client sewing - but I forgot to take pictures of the two gowns I finished for said client last week before I delivered them, so I'll be getting with her soon to take some pics.



Some of the things going on lately: 

1.  A new LBGFD for me (Little Black [Gothic Fitted] Dress).  I'm happy to say that after upsizing and re-drafting the whole thing last year, last week I had to start sizing it down again, and adjusting some of the curves.  I made a second one from the new pattern today, and I'll have pics for you next week after the event coming up.

at war practice last weekend


2.  I finally got around to stripping down Violet and re-fitting her to look exactly like me.  At first I thought, "Wow, do I really look like a Russian Nesting Doll??"  but I'm actually pretty happy with my fitness progress of late. :) 

bewbs


3.  I've been dyeing a whole bunch of fabric: 

Forgot the gloves again. Typing this post with murder hands. 



4.  Painting lots of fabric, too: 

Rory likes to help. 


more heraldic flags for the campsite ropeline! 


Next Up


Tomorrow I'll be cleaning out the garage (because I can't even GET to my camping stuff as of right now, and I'll need it this weekend as well as for war, obviously). 

After that, I have some woodworking projects, which I'll show you; as well as a stack of client projects, and a couple of last things for me.  ONLY TWO WEEKS TO GO UNTIL WAR!  *breathes into a paper bag*  @_@

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03 February 2015

Company Table Linens for Feast

A quick fabric-painting project to spiff up company dinners:



One 96x48" white, cotton, Ikea RITVA curtain panel (linen-weave, cotton fiber), with 8" black linen border, painted with eight trios of Caerleon lions;  two 12x48" gold linen table runners with linen borders, Ansteorran star and Caerleon company motto (ut simus invicti: "together we are undefeated").  

The lions and star were first stamped, then painted in and detailed by hand.  The motto was written by hand with a large, flat paintbrush, over a chalk grid drawn in the center of each table runner.  (And no, I don't know what hand/font the text is.  I'm not a calligrapher or a scribe, hehe. This is the hand I know how to do.  ) 

Paints are all artist's acrylics mixed 1:1 with fabric glue, and kept fluid by painting with a wet brush.  (I like working with regular acrylics much better than pre-fab fabric paints. The glue keeps the paint elastic and prevents cracking with wear, the glue and the water both make the paint soft and liquid enough to soak into the fabric on the first coat, rather than just sitting on top of the fabric where it might chip and peel with age).  

All pieces were finished with a silicone water-repellant spray treatment to protect the paint and to give the fabric some stain resistance. 

(Pic taken on my cutting table in the sewing room, with all of my feast gear, since I'm not at all certain of being able to take pics of the feast table at Candlemas this weekend - feast is usually lit by candlelight only, so, any pics of feast will likely be a big dark blur with a bunch of flames floating in it, hehe. (Well, fake flames, this year - the event site doesn't allowe open flames, which: booo!  But we'll make due).  

Tada! 


25 January 2015

Saving A Battered, Old Chair

THIS CHAIR has seen better days:

(all of these pics are halfway through sanding, to show just how much *crud* is in/on this wood)
Don't get me wrong, it's a good chair.  It's extremely well-made, sturdy, and not a joint is out of place, though it looks horrible.  What you're looking at is several years' worth of

  • rain/water damage
  • sun exposure/oxidation
  • corroded varnish
  • sweaty fighter butts (ewww)
Not only was the finish shot, but the wood was so swollen with weather and age in places that the chair wouldn't fully open OR close...rendering a really nice chair completely useless. 

I'll be honest, I was dreading the prospect of sanding allllll those pieces individually.  I guess the chair, or the Universe, or the Powers-That-Be heard me - because I could NOT get this thing apart to save my life.  I tried every tool at my disposal, got friends to help me, even tried to grind the hardware out, but it appears to have been made of naquadah-enhanced unobtanium, and sealed with black magic.  @_@  In the end I had to sand and stain this thing WHILE FULLY ASSEMBLED.  I'm here to tell you that was a bitch

BUT I got it done: 

(I could no longer feel my hands after this...and it still needed more sanding)


Here's the first coat of stain, applied very, very carefully, with a small brush and a lot of paper towels.  The chair is solid oak, and pretty well weathered and seasoned; still, I didn't want to chance the stain swelling the wood and undoing all the work I put into buffing down the seat pieces so that this thing would move properly again.  Rubbing stain into the wood with paper towels keeps too much stain from soaking in and swelling the wood, and it also gives you a LOT more control over the depth and amount of color.  


(oooh, aahhh)

After two more coats of stain, and several coats of spray poly-acrylic (for a low-tack, matte-sheen clearcoat, rather than a polyurethane which could stick in hot weather), it was finally done:


(The dark area of the back piece was severely stained, deep enough that I couldn't surface clean it out, or even sand it off the wood.  It's the same on the reverse of the piece; in fact, it's worse on the other side.  I have no idea what caused it, but, this was the best I could do with it). 




Sir John's and his lady Bridget's devices painted on the center of the back rest, in acrylic paint, and heavily clear-coated to prevent scratching.


Tada! 

03 January 2015

Caerleon Over-sleeves

By request, the Caerleon over-sleeves I showed you the other day, with the Swiss kirtle:





Black linen shell, with a gold linen lining.  No interlining.  

Gold linen buttons. 

The Caerleon company motto is painted on the inside of the sleeve cuff, so that when I have the cuffs turned up, they face away from me (see top picture).  The motto is Ut simus invicti:  "together we are undefeated." 

There's an Ansteorran star painted inside the top of the sleeve, so that I can turn the top down over where I have the sleeves pinned onto my dress to show the star, if I want.  




The motto, star, and the three white lion heads (which are the device of the company, though properly they're shown vertically on a black field), were all painted in plain old craft store acrylic craft paints, mixed with a little fabric glue and water, to help the paint soak into the fabric and resist cracking.  

I mix the paint with a tiny bit of water, and some fabric glue or Tacky glue (at a ratio of about 3:1 paint:glue, with just a few drops of water).  The water helps the paint-blue mixture flow on a brush; the glue basically turns acrylic paint into fabric paint, allowing it to soak into the material rather than forming a crust on top which could flake off, and it also makes the dried paint flexible to help prevent cracking.  (Eventually, yes, the paint will crack and flake; but this mixture lasts a long, long time.  I have a banner I made many years ago for another group I belonged to, which hung in a tree by my campsite for about four years in a row, and it never showed any damage from the elements).  








Previously...


The sleeves above are my first set of sleeves.  There's an introductory period to membership in my company, and certain conditions that you have to meet to be fully inducted and to earn the right to wear the lions.  Before that, you can wear the motto and colors only.  So my firs set of Caerleon sleeves were simpler: 









Gold linen with black borders at the top and bottom of the sleeves, and the motto painted in the same way, with the paint-glue-water mixture. 
















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27 August 2014

In Which Vikings Are Still Pretty Dang Cool

My primary [sewing] August project:  a Viking tunic for a Celt/Viking friend.






Butter-yellow linen/rayon blend, with trim in dark green linen, both from my stash.




All of the edge embroidery was done on my sewing machine.  Aside from that fact, the stitching designs themselves are period for Viking decorative stitches and seam stitching treatments.


The hound on the center front, however, I did entirely by hand.  This is the first time I've embroidered knotwork, the first time I've filled an entire motif in with stitching, and also the first time I've hand-embroidered anything I was making for someone else.

nope. 

The original hemline came out a bit...wonky.  I cut it off and added the wide band of green that you see in the first picture, and here: 

these decorative stitches also hold the seam allowances in place on the inside

As the recipient's device is [a whole bunch of stuff I can't remember how to say correctly] over a green and yellow checked field. This ladder stitch, yellow on green, was intended to be a subtle shout-out to that checky field.  


Just as the red satin-stitching around the green trim is sort of a callback to the red bordure around his entire device.  

Now, if you'll excuse me, I have some woodworking to do...


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26 November 2013

You, Madam, Are Out of Order.

In what I'm sure is an adorable attempt to keep up with things I say I'm going to do  ...


*pauses for laughter from the audience*


I return to October's Monthly Sewing Challenge, which you may remember from this post.   While I did not finish the purple 12th century gown in October, I DID finish it this month, and will have pictures for you very soon.

In the meantime, I DO have pictures for you of my 13th century cylcas surcote, done in Caerleon's heraldry, for the War of the Rams at BAM last Saturday:*




All linen, with machine embroidery around the edges of the neckline and sleeve openings.  And for once, worn with all appropriate and period layers (with some modern ones thrown in.  It was fücking cold):

  • knee socks
  • knee boots
  • leggings
  • linen braies
  • cotton chemise (white)
  • linen underdress (green - and this is actually my plain beige underdress that you've seen me wear with my blue Viking apron dress.  I dyed it last week for this event).  
  • Linen cyclas
  • Hair: net snood, barbette, and linen pie crust hat.  I was also wearing a veil and/or scarf wrapped around my head and neck most of the event, as well as...
  • a "cloak" which was a plush lap blanket from Waldemart that I picked up for $4 at the last minute to wrap around my shoulders
I was SO WARM.  Man, all those layers feel like walking around bundled up in blankets.  Yay!  

mostly the whole thing

Cotton duck screen-printed lions satin-
stiched in place, and tongues painted with
50% mixture fabric glue and craft acrylics



Bonus project for November:

A long tunic for one of my very favorite
Vikings up in the Steppes area (Dallas). 

Green and black machine-embroidery on the
neck facing. 

Evidently I'm on a machine-embroidery kick lately.

Wait til you see December's project.  :)

SO ANYWAY, now that you've seen November's project (s)...I'll put up pics of October's project later in the week, LOL.  And then maybe afterwards I'll have my poop in a group enough to get things done and posted on time.  ;)



*  Very short event review:  fücking cold. 

01 May 2013

Silk Banner 1.0, Part 2

The banner is finished!  Okay, well, more of a flag...and there's actually a proper, period term for this kind of flag, but I can't remember it for the life of me. But HERE IT IS:




That's:

  • one yard of 45" white silk charmeuse
  • Dye-na-flow paints
  • black Pebeo gutta (resist)                              ...all from Dharma Trading Co. 
  • a tapestry hanger that I think is actually Balinese; I've had it forever
  • a scrap length of gold trim that I just pinned in place on the hanger



The finished flag is 20"x25";  you can see in the picture above that I set it up in the corner of the fabric.  The extra space around it got painted, too:  I'm not ready to show it off yet, but I painted part of the extra silk red, and other parts black, and made both a small pennant to fly from the top of my tent, and a long, thin, silk belt to wear with my leather ones.  :)  More on those later. 

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29 April 2013

Silk Banner 1.0, Part 1

Sunday night:

  • Cartoon plotted out and sketched
  • Silk sketched
Monday night: 
  • stretching frame built, from lumber given to me by a friend (it was meant to become a raised bed for my vegetable garden, but it's Yellawood - which means chemically treated, so no good for my organic gardening efforts)
  • Silk stretched onto frame (with thumbtacks and a hammer, and remind me next time to go and buy the three-pronged flat tacks that you're supposed to use with these.  I like those much better). 
  • Outlines of device drawn in black, water-based gutta




Eee!  I can't wait to start painting it!  The color scheme is simple: black, white, red, and green.  I know the black and red, and probably the green, are going to take at least two coats each, if not three.  I have to remember to start with the white field on the left first, as I was taught (because accidental bleedover is easy to cover up when white gets onto what will eventually be a red field, for example).  

For now, though, while the gutta is drying, I'm off to make some small adjustments to the brown Italian dress so that I can wear it this weekend, and throw a bunch of my other dresses into a gentle wash with a whole bunch of hair conditioner to soften up the linen.  It works great. :) 


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11 April 2013

My Fandom Is Made of Hot Glue and Paper

Apologies for the lack of posts recently;  I've been having issues with Blogger and Dropbox not speaking to each other.  I think I have it fixed, though...



So, you know all those pins on Pinterest you think you're going to make and then you really do?  And those ones you see and HAVE to jump up and do right away, and then you do, and it's awesome?

Yeah, me neither.

Except for this time.  I was bopping around on Pinterest (coincidentally, waiting for the glue to dry on another project, and wondering what to do in the meantime), when I came across the tutorial for the Harry Potter wands made from chopsticks and hot glue for the hundredth time.   And for the hundredth time, it was adorable, and I really wanted to make it, but I'm not into Harry Potter enough to make one for myself, and I don't have kids.

But then I remembered this:

16thC Venetian fans; one parchment and one plant fiber


And my brain did about fourteen double-takes.   I searched high and low for a chopstick, a hair stick, pencils (too short), anything - then I remembered that I had about a frillion wooden dowels in the garage, in different sizes.

I grabbed one, and chopped it to length with a bolt cutter (it was out on the work bench), and sanded the end smooth.

And then I hot-glued the crap out of it:



Later, I spray painted it black, and then wood-grained it with various brown and yellow paints.  Lastly, I had to try to figure out how to make the fan part.  In the end, I went with a thick watercolor art paper just inked and hand-colored (mostly with Sharpie marker, actually):


(apologies for the photo quality;  I'm using my phone again until I get whatever #%^!# is wrong with my
camera now fixed)  

Yup, that's my device.  The shield, not the border stuff.
I laced the paper onto the stick of the fan with fake sinew; then applied a line of
glue over the lacing for extra insurance against ripping and slipping.  



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17 July 2012

A Very Small Project

Anybody getting tired of Sir John yet?  ;)

This is an honor shield I painted for him last night.  They hang these things to announce tournament pairings for some tournaments (and I wish they'd do it for all of them. It's a really nifty practice, and one of those Little Things that really adds to the overall mood at an event!)

6" across at the top.  acrylics on plywood

I printed out the lion badge and traced it onto the primed wood with
sewing tracing paper! 

the chalk lines from the paper brushed right off - once the black
outlines were done, that is.  

four coats of blue paint later...   I painted the white chief and badge as well, so
that the paint finish would match (and not just leave the white primer
showing through).   The back is painted solid blue; and the whole thing
is sealed with spray-on polycrylic.   

21 June 2012

Another Friend Outfit, Another Blue Outfit

A  short men's houppelande with embattled/dagged sleeves, for Sir John to wear to a 14th century pas d'armes tournament:



The lion (and embattled chief) on the front are 16" across.  If you've ever appliquéd anything, you know that's quite a lot of appliqué!   And all the twists and turns, yikes!  It was HARD.  I love hard.  I've been sewing since I was 9..."hard" is FUN.  :)

The lion was traced from a blown-up computer printout, and then inked
with india ink from my calligraphy set:  it's permanent, dark, and waterproof.
Creating this thing, from start to finish, took me four hours. 

I dyed the tongue red using a mixture of acrylic paint and fabric medium.
Before cutting out the lion, I put a heavy adhesive interfacing backing on
it so that it would be stiff enough to prevent all the little claws and hairs
from curling and shifting as it was sewn down. 

figuring out placement

satin-stitching around the chief...before I remembered that
I needed to do this in black!  Whoops.

This was my solution, rather than removing ALL that blue thread.
Came out pretty dang spiffy, too.  

Back view, during the tournament.



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