Regency: Marianne Dashwood’s Enormous Hat

 I love Sense & Sensibility - the book, as well as both the 1995 and 2008 adaptations.  Last post, I showed you the new dress I made which was sort of inspired by a color worn by Elinor (Hattie Morahan) in the 2008 miniseries. 

This time I have made a GIGANTIC HAT like the one Marianne (Kate Winslet) wears in the 1995 movie. I love Regency hats, although most of them look pretty silly on me (some of them are just silly in general, let’s admit it), but I just HAD to have Marianne’s big hat, silly or not. 

I ordered a big floppy sun hat from Amazon to start with. Reader, it arrived crumpled up in a little tiny bag and it was so wrinkled and crushed! I steamed it flat again and reshaped it on a foam head to get it back into shape; then used my steamer to bend the brim in the front and back, securing the edges with a bit of thread to hold the brim in place while it dried. 

Since most of my Regency wardrobe is done in blues and greens, I changed the color scheme a bit from the inspiration pic: I used a powder blue fringe-edged ribbon for the band and ties, and natural brown ostrich feathers for decoration. 

The feathers are stitched and glued in place; I steamed them a bit to help curl them so that they would flop over the brim like Marianne’s feathers do. The steam ended up not doing much, so I ran the spines (I don’t know the correct terminology) through my fingernails tightly, like you do with curling package ribbon and scissors, and then made them nice and curly. 

Now, I don’t know if Marianne’s hat also has flowers on it, or just feathers, but I opted for both. The flower is just WAY too big, but this whole hat is just ridiculous, and I love the way the deep purple color looks with the blue ribbon and brown feathers. 

Tada! I LOVE this hat. It’s just so HUGE and fabulous!  Now I need to get myself a big hatbox to keep it in. Oh no, more shopping, lol. 

Regency: Blue “Elinor” Dress

After all the work I spent March and April doing on that blue Norse dress, I was ready for a Regency palate-cleanser to reset my brain. 

In February I bought two more packs of IKEA’s “Matilda” sheer cotton curtains on clearance that I planned to use for a new  gown, but at the time I wasn’t exactly sure what to do with it - until I watched the 1995 Sense & Sensibility for the hundredth time and saw this: 

Yes, that’s a photograph of my television, lol. I THOUGHT that I couldn’t find a pic of this dress anywhere online, so I watched the miniseries again (oh no!) and took this picture. It turns out that the reason I couldn’t find it was because this is a green dress, but in this particular scene it looks so perfectly gray-blue, like a stormy sky, and THAT is what I wanted. 

bodice front before dyeing

I used the Simplicity S8941 for this one, just like the white one I made in 2022. I love the way the dress feels, and the way it fits me; this time I made the skirt a bit longer (the 2022 dress was too short and I had to add a panel at the bottom), and I made the sleeves full length this time, which took a bit of re-drafting. Most of the dress is machine-sewn; although I did finish the hems and sleeve cuffs by hand. 

Once it was finished, I dyed the whole thing. I opted to dye it after I made it because I wanted the white cotton twill tape drawstrings to be dyed as well, and I didn’t feel like trying to dye them separately - I didn’t want to risk messing up the color. I used Rit Dye’s Pearl Grey and Evening Blue (2:1), with a couple of capfuls of Teal thrown in to warm up the color just a bit. I’m super happy with the way the color came out: 

The color didn’t come out exactly 100% the way I was envisioning; but I LOVE the color I ended up with SO MUCH.

All done! This was pretty quick - it only took me about two days to sew; the dyeing process was done in the washing machine and took about half an hour and then a complete wash cycle to finish it off. 

I think for my next Regency trick I’ll make myself a new hat. I’ve always wanted Marianne’s big hat from the 2005 S&S with Kate Winslet. More S&S! Yay! Stay tuned… 

Regency: Blue Floral Wrap Dress

My latest Regency creation: 

This is a wrap-front dress made from LM’s (#129) Spencer pattern, to which I added rectangular skirt panels like I did for my velveteen pelisse last year. I also widened the neckline a bit, and shortened the sleeves to 3/4 length. The fronts close with cotton twill tape ties, which are hidden by the white sash wrapped around the waistline. 

The fabric is from a set of cotton sheets I had in my stash. The floral pattern isn’t 100% period, but it’s close enough, I think. The lace itself is polyester, found on Etsy and trimmed to make the design work for this neckline. 

The dress took me just a couple of afternoons in late July to put together, but I had to wait for the lace to arrive in the mail, which took two weeks, so I just finished it today. 

I added a little button placket to the back, just so the back wouldn’t be totally plain. Nom-functional, but cute! 

This was originally inspired by this dress of Elinor Dashwood’s in Sense & Sensibility 

Other inspirations include: 

From Galleries of Fashion, 1796

Henri-Pierre Danloux, unsure of the date

unknown fashion plate

This project was a nice breath of fresh air in the midst of what has been an absolutely insane summer for me - I’ve been working my butt off in just about every possible way. SCA event season starts up in a month, and I still have a lot of preparation to do for all of that - I really needed a break to work on something utterly frivolous to rest my mind a bit. I love this dress! 

Final note: the newly-refitted dressmaker’s dummy was fantastic to use for this project. I was able to size and drape and fit this dress wholly on the mannequin, and it fits *perfectly*.  Granted, this was a very simple pattern, but it was a good test run for the “new” dummy and I’m very pleased with how it went. 

Regency: WTF??

 I found this fashion plate on Pinterest today: 

It linked back to a Flickr photo album labeled “1807”, but there was no other information about this plate, and an image search on this picture turns up exactly nothing. 

I mean…are those patch pockets?!? What?! More information, please! I’ve never seen such a thing on a regency dress before! 

Stuff and Things

 I'm still alive, just haven't posted in a couple of weeks.  I'm in the middle of several projects right now that I'll be posting about very soon;  for right now, though, I may be off and on with posting for the next little while, because I'm dealing with a family medical situation that's taking up a lot of my time and mental energy.  

Coming soon, though: 

1.   More tablet weaving, including a new way of warping up the Oseberg loom, new wool thread to weave with, and the next A&S competition

2.  A new Roman outfit for the upcoming hot weather

3.  A new Viking outfit, which I'm sewing completely by hand for the first time

4. Maaaybe a new Regency dress.  I have a set of sheets that I don't need anymore that may become a blue-and-white dress; I also have my eye on some black cotton voile which really wants to be a mourning dress.  Not sure yet where I'll go with that (and I have to get through Hellsgate at the end of March and Warlord at the end of April first, before I start new Regency stuff!) 

Regency: The Pineapple Reticule

Here is the silliest thing I've ever made: a pineapple reticule! 

A few weeks ago I learned that pineapple reticules were a thing - at least one of them, that I know of. This knit pineapple purse is housed in the Kyoto Costume Institute’s 1800-1810 collection (as featured on JaneAusten.co.uk) 

The extant purse is knit in silk, in several shades of yellow and green.  The blog linked above states that pineapples and other tropical fruit were very much en vogue during the early regency, but sadly, I cannot find any other examples of period fruit-like knit or fabric objects online. But this one example is enough for me! 

There are lots of patterns for similar knit reticules on Ravelry and Etsy. I am not a knitter - I crochet (crocodile stitch, maybe?), but I didn’t happen to have any yellow or green yarn sitting around. What I did have was a three yard length of 6” wide yellow poly satin fabric that I wasn’t doing anything with, so I decided to sew a little pineapple bag. 

For the body, I sewed four 6" wide strips of satin together to make a large rectangle, then pintucked the whole thing on the bias, and sewed the result into a tube. The lining is yellow cotton from an old sheet I had sitting around to make mock-ups with. 

The  “leaves” are big triangles attached to the top edge of the tube, and I ran a drawstring (pale gold ribbon) around the top of the bag just beneath the leaves on the inside of the bag so that they'd stand up when the bag is closed.  I didn’t have anything green to use for the leaves, so I cut off part of the yellow piece and dyed it green with Rit’s Dyemore for synthetics in “peacock green,” which yielded this lovely leaf green color: 

The leaves being put together, and the yellow cotton lining: 

And here's the round, flat bottom of the bag, also green. The little covered button on the bottom is just for fun, and just because I love covered buttons:

Y'all, I CANNOT stop giggling at this thing.  It's so silly!  This is officially the silliest thing I've ever made, and it pleases my heart.  HEE HEE HEE.  

Regency: Teal Cotton Open Robe

After working my butt off on SCA projects since Thanksgiving, I needed a creative palate-cleanser project - and I was itching to do something new with Regency stuff (besides the apron, that was actually a functional thing I needed).  So my first “real” project of 2024 is this teal open robe, along with a new shawl and some new jewelry to go  with it: 

I had this teal cotton in my stash for years, and I'd originally intended to do a Really Awesome Regency Dress with it (like this one), but after chipping little bits off of it here and there over the years for small projects, it ended up only 3 yards long - not enough for something big and fancy.  But it was, I realized recently, exactly enough to make a short-sleeved open robe to wear over my white 1800s gown.  

My inspiration for the color palette for this outfit was this painting of Princess Amelia (youngest daughter of King George III and Queen Charlotte) by Sir William Beechey (1797).   While I didn't want to recreate this exact outfit, I did want to do something with the same color scheme, with which I am in LOVE - the teal dress with the delicate little silver/white designs, the rust/burnt orange shawl and gold sash and armband. She also wears long strands of clear (I'm assuming rock crystal) beads - which you don't see in Regency art very often - and which sort of pick up on the look of the little silver/white dots on her dress. 

The teal dress in the inspiration picture has some sort of white/silver design on it - it’s probably sprigged - and I’m not sure what the design is actually supposed to be. Stars, dots, probably little flowers? I decorated my fabric with little trios of silver dots, which is a design I’ve used before for Medieval stuff; I really like the look of it, it’s delicate and subtle. I chalked out grid lines on the fabric every 6” and then dotted the intersections and centers of the grid with a silver paint pen: 

The robe is about half machine sewn and half hand sewn - I did the primary construction of the bodice and bodice lining on the machine; but the lining is inserted and the skirt attached by hand, and all the hemming and edging is down by hand as well. 

There's a wee bit of a train on the back, too, for the lovely drape it gives when one walks or the wind blows.  

ACCESSORIES

SHAWL

I made the shawl for this dress out of an old SCA costume. The fabric is a soft, lightweight silk twill, in a deep russet color. The SCA costume was a 12th century *cyclas*, which was just made of two rectangles and some triangular gores, so I removed the gores and the neckline and joined the two rectangles together (flat felled seam + rolled hem edge) to make this shawl. 

SASH

The sash in the inspiration painting looks to me like a dark dusty gold, possibly with some kind of print or embroidery on it, but I suppose it could be brown? Mine is a length of gold poly satin, purchased from Etsy as a “bridal sash” and tied around the waistline of the robe. The color is way too light - I wanted a darker gold, almost bronze - but it’ll do for now. I think eventually I’ll get some nice silk and make a new sash for this outfit. 

JEWELRY

I LOVE the rock crystal bead jewelry in the inspiration painting so much! I haven’t seen clear crystal jewelry much in Regency paintings - usually you see pearls or coral, or colored gemstones with fancier outfits.  My beads are glass (for budget reasons), 14mm round, and strung in two 16” strands. Yes, the bead strands should be waaaay longer than they are in order to look more like the inspiration pic, but I used what I had.  

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Yay! This was a quick, simple project, and a much-needed break from SCA stuff for a minute.  It's easy to wear, and versatile. 

And I have no idea what's next!  I have LOTS of ideas for new Regency costumes, new Viking stuff and weaving projects, and even a dip into Victorian for the first time (maybe), but where to start?  I think I need a break…I’m also refinishing an old wooden table right now, but I’ll be back soon. 

 

Regency: A Work Apron

Here’s something a bit weird: I made a Regency item for SCA use.  I remembered kind of late that I had promised a friend that I’d help him in the kitchen at Candlemas, and I had this fancy Italian dress that I needed to protect - so I needed an apron. 

I had wanted a Regency apron for a while (I love Elinor’s tan gardening apron in the 1995 Sense & Sensibility movie and have wanted one ever since).  And so I figured, since nobody would really see me in it at the event, I would go ahead and make a Regency apron to wear over my Italian outfit. 

(I swear those pockets are actually even, I don't know why they look wonky on the mannequin; they look fine on me). 

There's not really a pattern; it’s really just a couple of rectangles and some long ties. It’s made out of an old, blue, cotton sheet that I had saved to use as mock-up fabric. The shoulder straps cross over and loop around the waist tie in the back; and there are two large pockets on the front. 

I also made a pair of sleeve covers, which I know I’ve seen somewhere in period on a maid or someone like that - probably on TV - to keep my silk sleeves clean. They’re elasticized at the top and bottom for ease of wear. 

Wearing a Regency apron with 15th century clothing is a bit silly, but I got a pretty blue apron out of it and now I won't get any food on my Italian outfit, so, win-win. 

Update About Random Things

SCA STUFF

So, BAM (War of the Rams) was exciting and wonderful, as anticipated.  There were a million things to do and see and learn, lots of classes, music, crafts, and lots of of fun times with friends.  The Ansteorran Longship Association was out in full force with their first longship, called Skelmir, on display, and a dear friend gave a series of lectures about the history of the ship and its construction, which were fun and fascinating.  Unfortunately, this year BAM was unseasonably warm, so I didn't get to wear the velveteen houppelande that I spent October making for it - but there'll be other cold events.  

What's Next? 

So what am I working on right now?  My next event will be Bryn Gwlad's Candlemas in February, so I'm working towards that.  I'm making over an old dress into a completely new outfit to wear to the event, and making new accessories and jewelry to go with it - here's a little preview I whomped up in the ever-so-modern-and-up-to-date program, Microsoft Paint (yes, it still exists, LOL): 

I'm also working on a series of A&S entries for a largesse competition at Candlemas, which includes glass beads, bags, and lots and lots of card weaving: 

I'm getting lots of practice doing things I love, and I'm having fun working on the new costume.  I'll be working on all of it throughout December and January, so there may not be much in the way of updates until early next year.  

REGENCY STUFF

A group of Regency costumers that I follow online did something fabulous this week:  they went to see the Napoleon movie together as a group in Regency costumes!  AAA!  I would LOVE to do that, but unfortunately I'm the only person I know who's even remotely interested in Regency stuff.  Oh, well.  Maybe some day I'll live somewhere with a Regency society group that's more than just a study group like our local one is.  (Not that a study group is bad, it's interesting, but I want costumes). 

I don't have any Regency stuff planned for this winter - I'm too busy with SCA stuff right now.  Although, I do have a ballgown and a new Spencer jacket on my planning boards (Trello - if you haven't seen it, check it out, it's an awesome project management app/website that keeps me organized and on track for all my projects, and it's free!) for the future - maybe in the spring.  

OTHER STUFF

Meanwhile, while SCA work continues apace, I'm also about to start crocheting a comfy and swishy ruana for my roommate that she can wrap up in at work since her office is always freezing.  

Also, (once SCA stuff and crocheting are done), I have three wooden tables in my house that I need to refinish.  I probably won't talk about those here, although I may.  I used to have a "furniture and other home crafts stuff" blog in addition to this one, but I don't keep up with it anymore.  Maybe I should start again.  But this won't be happening until probably March or later.  

Busy busy busy!  I'll be back soon with an update about the Candlemas outfit.  

Summer Lull and Plans of New Things

I haven't posted in several weeks, but believe me, I'm hard at work...doing...pretty much nothing, for the time being.  I've been hitting the yardwork and the housework pretty hard, but project-wise, I haven't been all that active. 

July is always just kind of a lull. It's too hot to play outside, so there are no SCA events going on, - that won't start happening around here until the end of August, so things are kind of at a standstill right now. 

However, I do have plans that I'd like to get into as soon as energy and finances will allow: 

• There are materials for a Regency ballgown that I've had sitting on my work table ready to cut out for weeks now that I'd like to get started on soon 
• I have [another] Big Viking Project I'd like to get into as soon as I can get the wool for it
• I have several plans for small improvements around camp - like a cooler refit and a change to my bedding situation
• I really want to get back to making glass beads, but it's 105º right now, and nearly that hot inside the garage - too hot to sit over a flame to make glass!  (Although, part of me says, if I can mow the grass when it's 90º at 9:00 in the morning, I can probably sit in the garage and make beads? I dunno, I may try it soon)

I have been crocheting like a fiend for the past few weeks, though.  This blog is not about that, but if you're interested, you can check out my crochet projects on Ravelry, here: https://www.ravelry.com/people/s1ren  I just recently finished a blanket for a friend of mine, and I'm working on a sweater now.  

Anyway, see you again soon!  Hopefully I'll have something to show in the next couple of weeks!  

Regency: Teal Velveteen Pelisse

Behold:  a finished velveteen pelisse for winter wear!  

Last fall I acquired a huge stack of velveteen Ikea curtain panels from my local neighborhood swap group.  I knew right away I wanted to make a pelisse out of it. The fabric is heavy and warm, but not TOO heavy - perfect for our relatively mild central Texas winter weather. 

It would be a nifty addition to my Regency wardrobe, I thought, but more than that, I was in dire need of a long winter coat that was affordable - so I knew I wanted to make one, but I could never find the right fabric and pattern for it.  Yes, I absolutely plan to wear this in "real life" as my regular winter coat! 

left: fashion plate from Ackerman's;
right: design inspiration from Laughing Moon

This fashion plate, and this gown, were my first inspirations.  I loved the ruffles around the neckline and the big tie in the front of both, so I decided to use my Laughing Moon Spencer pattern (#129) for the bodice and sleeves, since it already has the shaping and design on the bodice that I wanted. 

I used the skirts from my Reconstructing History round gown pattern as a guide for the width and length of the skirt panels. 

dyeing the velveteen

The first problem was the color of the velveteen curtain panels:  they were bright aqua, which - no. Too bright and cheerful for me.  

Fortunately, they're 100% cotton, so they dyed pretty easily with Rit dye.  I used a 2:2:1 mixture of dark green, teal, and charcoal gray,  and came up with this lovely deep muted spruce green color.  (Okay, it's TEAL. Rit dye's formula charts call this "Blue Spruce Green," but it's totally teal).  

 

inside ties and hand-finishing

The pelisse is lined in a sage green cotton fabric that started life as a duvet cover I had sitting around not being used. Here you can see the ties I placed inside the bodice to help hold the thing together - I didn't want to rely on the belt/sash to do the job on its own.  The ties will help keep everything aligned properly when I wear it. 

The problem with dyeing the fabric was that I originally did it in two separate batches.  I measured carefully, and used the exact same dye on both batches...and yet, they still came out slightly different colors - one batch was a bit greener, and one batch was a bit bluer. 

So, after I finished the pelisse, I overdyed it again to bring the colors back in together.  The lining dyed, as well, and now it matches the velveteen fabric. 

bodice back

Since I do plan to wear this coat mundanely (i.e. not as a costume, but as regular daily wear), I made a few modifications to the pattern to help it be more wearable - the inside ties are one. 

I also lowered the hem of the bustline by 3" to accommodate a "normal" modern bustline.  It still fits fine when I'm corseted, but since I mostly won't be wearing this with a corset, I wanted it to conform to my "regular" bust shape when I'm wearing it to the office, for example.    

I added hidden side-seam pockets to the skirts as well.  Bitches need pockets! I generally don't carry a purse - just my phone which is in a wallet case, and my keys, and I needed somewhere to stash them. 

I also added belt loops to the side seams of the waistline, to help keep the belt/sash in place. 

before hemming the bottom

Altogether, this pelisse took me about 12 1/2 hours (over the course of 7 days) to construct and finish.  Most of it is sewn on the machine, although I did do all the finishing - anything that's visible from the outside - by hand.  Because it's so long, and there's so much fabric, it's surprisingly heavier than I thought it would be, and it IS very warm.  It'll make an excellent top layer and windbreak in winter weather this year. 

Thankfully, our winters are generally pretty mild, usually averaging about 40-50º most of the time, and only getting down into the 20s-30s for a couple of weeks in January or February; so this pelisse didn't have to be very heavy - it's mostly just a windbreak and an extra layer. With a sweater underneath and a scarf at the neck, it'll be just fine for the weather here.  

Things I would change if I had to do this again: 

(1) the sleeves are a teensy bit too long. They're lovely, but I worry about them being in the way while driving.  

(2) the back of the bodice and the shoulders are very fitted, and I worry that they won't accommodate more than a very thin shirt underneath - I won't be able to wear sweaters with this thing.  (Good impetus to lose a bit of weight before this winter!) 

(3) The belt loops are laughably too big. I should have made them half the size I did; but it's okay, I doubt anyone will notice or care. 

Regency: A Picnic!

 Over the weekend I went to my very first JASNA event: their annual Box Hill Picnic, in Buda, Texas. I have to admit, I was very apprehensive about going - I'm not exactly a "social butterfly", and new people, and groups of people I don't know, and doing new things, intimidate me something fierce.  

The picnic was lovely, though. It was a smallish group; I met a handful of really awesome ladies and gentlemen who were happy to entertain a newcomer.  We all played a quiz game designed to get us talking to each other (mostly Emma trivia, and I was thankful I'd just read it again recently), ate a nice lunch with wonderful desserts, and took a walk around the park together to admire the local wildflowers.  

I think I'll definitely go back to more JASNA events - now I know there ARE lots of events, even though it's been hard to find info online. There's a Meetup group and a book club, there are English Country Dance classes every now and then, dinners and lectures and all sorts of nifty things to do.  

Here's me and my friend, Star, out at the picnic with our little paper name tags, hehe: 

I wore my white dotted/striped gown, with my blue linen open robe and green linen hat, along with my coral-and-mother-of-pearl jewelry and a Lover's Eye on a gold chain that I made.  Thankfully, I wasn't the only one "in costume" - several other ladies showed up in Regency finery, including one woman dressed all in black mourning, which was pretty cool.  

Hooray, I got out and tried a new thing, and it was wonderful!  I can't wait to go again.  Before the next "costumes welcome" event, I have a new Spencer to make...more on that later.  

Regency: Lavender Striped Drop-Front Dress

I LOVE striped Regency dresses. I keep thinking about making one, but I had no fabric to use …but wait, I thought - don’t I have a lavender striped cotton duvet cover in storage not being used for anything? 

I’d seen people use duvet covers and sheets for regency dresses before (I've even made a dress out of a pair of curtains myself); but I was worried it wouldn’t be enough fabric, but it turned out, the duvet cover was exactly enough for what I needed. (And to tell you how old this thing is, I got it at Linens N Things - remember them? It’s old but it’s in great shape).  

I used my Reconstructing History pattern for this dress, because I wanted the flat front and bib to show off the stripes. I was leery about using the pattern again, as the first time through was a nightmare - but when I made it before, I knew exactly squat about the construction and fitting of Regency dresses, and now I have more experience and a much better idea of what I'm doing now, and this went together really easily. 

 

I drafted new sleeves for the dress, since I wanted a straight long sleeve, and the pattern only had a short sleeve or a double sleeve option. (The double sleeves are neat, but I have broad, square shoulders, and puffy shoulders make me look like a linebacker, so I wanted a more streamlined silhouette there). I measured all the sleeve pieces from the pattern and then drew out my own sleeves based on that, adjusting the fit a bit for slightly-larger-than-usual upper arms. I also added a thin wrist band with a hook on it to close the sleeve around the wrist: 

I started this project and got about halfway through it when I realized I was going to have to make a new corset to go with it.  You can read about that in my previous post here.  

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But wait, you say, isn't lavender/purple a mourning color?  Yes and no. From what I've read, in full mourning (the period right after a person's death) one would wear black or as near to it as was feasible (gray, dark gray, black accessories if you didn't have/couldn't afford a new black dress, etc.).  In half-mourning (the later half of the mourning period, designed to transition you away from all-black and back into more cheerful colors), softer, muted colors like gray and lavender and purple became acceptable.  You could always wear purple any time you wanted, of course - it wasn't strictly reserved for half-mourning.  The folks in the Regency weren't nearly as strict about these things as the Victorians were.  

That said, if I wanted this dress to be a half-mourning outfit, I could always accessorize it with my black crocheted mitts and a sheer black shawl: 

I love my new dress, and I plan to wear it this weekend: the local JASNA is having their annual Box Hill Picnic near Austin, and so I’m grabbing a couple of Regency-friendly friends and we’re headed down!  I’ve never been to a JASNA or Regency-themed event before - I did check to make sure costumes are allowed, and was told that yes, some people wear Regency attire to the picnic. Now I just have to figure out what to bring to eat for lunch. And what to do with my hair! And - where the heck are my white gloves?? 

Regency-Adjacent: New Jewelry Box Just For Fun

Here's a little wooden jewelry box I just finished making, to house my Regency jewelry: 

It started life as a little $9 blank box from Michael's.  I stained it (Minxwax's "Special Walnut" and "Dark Walnut"), and then painted the insides, and painted the little vine/leaf design on the top and drawer front with gold leafing paint. 

The lid is clear (plexiglass), and shows all the little square compartments inside, so you can show off your nice pieces and the inside of the box, so I wanted a color that would pop against the golds and blues and corals of my jewelry.  

This, by the way, has no basis whatsoever in actual history - I've seen exactly *one* Regency-era jewelry box to date (it was green on the inside), but other than that, I have no idea how a real Regency-era jewelry box would have looked.  From what I know about furniture and accessories in the Regency, natural wood tones were a thing, as well as hand-painted details, so I went with that...but I have no research to point to for this project, I just wanted to make something pretty.   

Regency: Mitts!

Mitts are neat.  After making the crocheted fingerless gloves last week, I decided I needed some longer, fabric ones.  You see them a lot in 18th and early 19th century costumes; they show up again later at various points in the Victorian ages, and are popular even now as crocheted and knitted "wrist warmers."  I’ve seen several Regency sets around the internet on museum site and on other blogs, and Fanny Dashwood wears black mitts to the wedding with her gorgeous half-mourning lavender outfit in Sense & Sensibility: 

Here are some extant mitts I found on various museum websites: 

Blue leather mitts, late 18th century or early 19th, Boston MFA

Embroidered/bejeweled mitts, early 19th century, MMOA

The first pair I made are a little wonky. I used the remainder of the green embroidered (polyester) taffeta fabric that I used for my green reticule. The fabric is very stiff, so they don’t conform well to my hands (even though they were cut on the bias), and the edges stand out a bit. I made these entirely by hand the other day when my power was out due to the ice storms: 

My second pair is made of cotton voile, very light and sheer, and they hug my hand very well. They were also cut on the bias, and this time I made them as tight as I dared. I made these a little longer, and re-shaped the hand and elbows a bit to correct those protruding edges. I sewed these on the machine with little tiny French seams, because of the way this fabric frays; and finished them by hand. I love the sheerness of the fabric here; I’m always secretly pleased when you can see my tattoos through my frilly white Regency things, hehe. 

You’ll notice I didn’t put any actual thumbs into this pattern  I admit to being a little afraid of them. Working with such tiny pieces and tight spaces is hard for my hands, and to be honest, I’m okay with just thumb holes. 

Because it cracks me up, I’d like to show you the paper pattern I made for these once I had them fitted properly: 

Don’t worry, there are no Cowboys fans in this house,  or even any football fans. I bought this paper as a gag to wrap a birthday gift in for a friend who hates the Cowboys, many years ago, and as I am currently out of pattern paper, well, you see what happened.  Wrapping paper is *horrible* for patterning, as it rips very easily and wants to curl, but you gotta make do where you can sometimes.