18 July 2023

Summer Lull and Plans of New Things

I haven't posted in several weeks, but believe me, I'm hard at work...doing...pretty much nothing, for the time being.  I've been hitting the yardwork and the housework pretty hard, but project-wise, I haven't been all that active. 

July is always just kind of a lull. It's too hot to play outside, so there are no SCA events going on, - that won't start happening around here until the end of August, so things are kind of at a standstill right now. 

However, I do have plans that I'd like to get into as soon as energy and finances will allow: 

  • There are materials for a Regency ballgown that I've had sitting on my work table ready to cut out for weeks now that I'd like to get started on soon 
  • I have [another] Big Viking Project I'd like to get into as soon as I can get the wool for it
  • I have several plans for small improvements around camp - like a cooler refit and a change to my bedding situation
  • I really want to get back to making glass beads, but it's 105º right now, and nearly that hot inside the garage - too hot to sit over a flame to make glass!  (Although, part of me says, if I can mow the grass when it's 90º at 9:00 in the morning, I can probably sit in the garage and make beads? I dunno, I may try it soon)

I have been crocheting like a fiend for the past few weeks, though.  This blog is not about that, but if you're interested, you can check out my crochet projects on Ravelry, here: https://www.ravelry.com/people/s1ren  I just recently finished a blanket for a friend of mine, and I'm working on a sweater now.  

Anyway, see you again soon!  Hopefully I'll have something to show in the next couple of weeks!  

17 June 2023

Regency: Teal Velveteen Pelisse


Behold:  a finished velveteen pelisse for winter wear!  


Last fall I acquired a huge stack of velveteen Ikea curtain panels from my local neighborhood swap group.  I knew right away I wanted to make a pelisse out of it. The fabric is heavy and warm, but not TOO heavy - perfect for our relatively mild central Texas winter weather. 

It would be a nifty addition to my Regency wardrobe, I thought, but more than that, I was in dire need of a long winter coat that was affordable - so I knew I wanted to make one, but I could never find the right fabric and pattern for it.  Yes, I absolutely plan to wear this in "real life" as my regular winter coat! 














left: fashion plate from Ackerman's;
right: design inspiration from Laughing Moon


This fashion plate, and this gown, were my first inspirations.  I loved the ruffles around the neckline and the big tie in the front of both, so I decided to use my Laughing Moon Spencer pattern (#129) for the bodice and sleeves, since it already has the shaping and design on the bodice that I wanted. 

I used the skirts from my Reconstructing History round gown pattern as a guide for the width and length of the skirt panels. 



dyeing the velveteen

The first problem was the color of the velveteen curtain panels:  they were bright aqua, which - no. Too bright and cheerful for me.  

Fortunately, they're 100% cotton, so they dyed pretty easily with Rit dye.  I used a 2:2:1 mixture of dark green, teal, and charcoal gray,  and came up with this lovely deep muted spruce green color.  (Okay, it's TEAL. Rit dye's formula charts call this "Blue Spruce Green," but it's totally teal).  




 






inside ties and hand-finishing

The pelisse is lined in a sage green cotton fabric that started life as a duvet cover I had sitting around not being used. Here you can see the ties I placed inside the bodice to help hold the thing together - I didn't want to rely on the belt/sash to do the job on its own.  The ties will help keep everything aligned properly when I wear it. 

The problem with dyeing the fabric was that I originally did it in two separate batches.  I measured carefully, and used the exact same dye on both batches...and yet, they still came out slightly different colors - one batch was a bit greener, and one batch was a bit bluer. 

So, after I finished the pelisse, I overdyed it again to bring the colors back in together.  The lining dyed, as well, and now it matches the velveteen fabric. 








bodice back

Since I do plan to wear this coat mundanely (i.e. not as a costume, but as regular daily wear), I made a few modifications to the pattern to help it be more wearable - the inside ties are one. 

I also lowered the hem of the bustline by 3" to accommodate a "normal" modern bustline.  It still fits fine when I'm corseted, but since I mostly won't be wearing this with a corset, I wanted it to conform to my "regular" bust shape when I'm wearing it to the office, for example.    

I added hidden side-seam pockets to the skirts as well.  Bitches need pockets! I generally don't carry a purse - just my phone which is in a wallet case, and my keys, and I needed somewhere to stash them. 

I also added belt loops to the side seams of the waistline, to help keep the belt/sash in place. 






before hemming the bottom

Altogether, this pelisse took me about 12 1/2 hours (over the course of 7 days) to construct and finish.  Most of it is sewn on the machine, although I did do all the finishing - anything that's visible from the outside - by hand.  Because it's so long, and there's so much fabric, it's surprisingly heavier than I thought it would be, and it IS very warm.  It'll make an excellent top layer and windbreak in winter weather this year. 

Thankfully, our winters are generally pretty mild, usually averaging about 40-50º most of the time, and only getting down into the 20s-30s for a couple of weeks in January or February; so this pelisse didn't have to be very heavy - it's mostly just a windbreak and an extra layer. With a sweater underneath and a scarf at the neck, it'll be just fine for the weather here.  








Things I would change if I had to do this again: 

(1) the sleeves are a teensy bit too long. They're lovely, but I worry about them being in the way while driving.  

(2) the back of the bodice and the shoulders are very fitted, and I worry that they won't accommodate more than a very thin shirt underneath - I won't be able to wear sweaters with this thing.  (Good impetus to lose a bit of weight before this winter!) 

(3) The belt loops are laughably too big. I should have made them half the size I did; but it's okay, I doubt anyone will notice or care. 





05 June 2023

SCA: Event Recap, and Looking Forward

I went to my first Steppes Warlord a couple of weeks ago!  I'd never gone because I always thought it was "just" a fighting event, but it turns out, it's SO much more.  All the fighting, all the A&S, tons of vendors, lots of competitions, lots of parties, and all kinds of stuff - there were even snow cones for sale, LOL.  I had a a lot of fun.  


Oops

Sadly, one of the strands of beads in my Viking "festoon" necklaces broke, so I only had one to wear pinned between my brooches.  Thankfully, all the beads fell out on my bed while I was getting dressed, so I was able to collect them all and save them to re-string them at a later date.  I'll probably do that this week. 

Also, my gray linen serk "sprung a leak" - a hole opened up in one of the arm seams.  Since the sleeves are tight enough that I can't just take it in to cover the break, I'll have to dig around in my stash to see if I have any more of that fabric so that I can make a patch for the hole.  


Nope!

I was traveling with a friend this event, so to save space I opted not to tote my clothes hamper with me, instead carrying my clothing and EVERYTHING else in my black chest to save space in the truck.  It did NOT work out very well at all - everything was so crammed in there that I had to unload the entire chest to find anything, my clothes got terribly wrinkled, and it was a huge pain in the ass.  I'm definitely not going to do that again - especially since I mostly travel alone, and can pack anything I want in my nice, big truck.  As much as I fantasize about one day building myself a new, period tent; I really like the way I have everything packed and arranged with all my baskets and wooden boxes.  


Yay! 

I spent the mornings at the event working in the kitchen at the Antsteorran Longship Association's omelette breakfasts.  The Longship allowed me to camp with them for the weekend, since my household wasn't going to be there; and so to give back I pitched in in the kitchen, and I had SO MUCH FUN.  It was hard work, but I really enjoyed it.  They set up a full kitchen with camp stoves right there in camp under a huge pavilion, and serve up omelettes made to order - the proceeds go to fund the group's efforts in - get this - building actual wooden Viking longship replicas.  That's so cool!  I look forward to working with them again.   


Next

I hear some kingdoms have indoor events in the cold of winter.  You'd think Ansteorra would do the same thing in the summer, but people down here have some weird tough-guy thing about being able to withstand the Texas sun - we have no indoor events during the hot summers at all.  There are a couple of events over the next two months, but they're outdoors, and they're at least five hours away by car, so I won't be going to anything until the fall brings cooler weather and local events again.  

Plenty of time to work on new projects, fix up my existing wardrobe as needed, and plan for A&S in the fall.  I'm looking forward to the break for a while (I have lots of new Regency stuff planned to keep me busy), but I also already can't wait for September! 

More soon.  

08 May 2023

SCA: On Making Glass Beads and New Viking Jewelry

At the beginning of March I posted about making my own glass beads at home (here).  I'm still going strong, and I'm getting better with every batch I make.  It's SO much fun, and although it's pretty fast, it takes a lot of focus to get them right. 

My work table, all set up and ready to go



Right now I'm making about 7-10 beads per session, about 2 sessions per week.  Most of the beads I've made have been in shades of blue and green, although I recently picked up some white and yellow to throw into the mix and to use to make dots and stripes on my beads.  So far I've mostly been focusing on perfecting my round and oval-shaped beads, and learning to control the glass enough to make some larger ones; my next phase I think will be getting better at making dots and stripes and other patterns.  

A selection of beads I've made at home



All of this, of course, has been for the purpose of re-making my "festoon" for my 10th-century Viking kit.  Until now, the strands of beads I hang between my brooches have been made of store-bought beads - mostly glass and acrylic, in blue and amber tones.  I liked the color arrangement of my most recent iteration of the necklaces, but the beads were too perfect and modern looking; and to be honest, the more I look at the grave finds, the more this necklace just looks plastic and garish to me: 

My most recent set of necklaces, in modern store-bought beads



It's an SCA-ism, I suppose, that the more huge and ostentatious you can make your Viking jewelry, the better.  The reality is that (based on grave finds) most of these bead necklaces ranged from 18-20 beads per person, and that the beads themselves ranged from 10-16mm each.  We have no idea how exactly women wore these bead strands - whether they were worn as a single strand or multiple strands, how many beads per strand, etc., because only the loose beads have been found - whatever material the beads were strung on has disintegrated with time.  Found beads are usually glass, although some of amber, jet, quartz crystal, and carnelian have been found as well.  These were understated jewelry pieces by SCA standards - not 30 pounds of rocks and glass to impress your friends.


My first  "festoon" necklace set with about 95% homemade beads



Here's what my new set looks like for the time being.  Beads are small-medium sized, with a couple of larger ones in the center of each strand, in shades of blue and green and yellow.  (There are also 4 glass beads that I didn't make included here as well, because I loved them and wanted to re-use them).  It's simpler and plainer; and the beads themselves are more in line with what I've seen from grave finds in color and shape and size.  

A couple of smaller points, because people have asked:  

This necklace is strung on #10 cotton crochet thread.  I forgot to wax it this time for strength, so we'll see how it holds up. (The last set did just fine). 

I have three raven pendants that I hang from my beads. Two of them are historical representations based on actual finds; the third is a modern pendant I received for my birthday many years ago. The use of metal pendants may or may not be period (it's probably not); but I love my ravens.  

I no longer incorporate metal beads into my design, now that I have enough glass beads to make up the entire piece.  I read somewhere that metal beads have been found in graves/a grave, but I can't find the source anymore, and I've also read that metal beads were NOT a thing, so for the time being I'm not including them unless I can find something definitive one way or the other.   

 

Glass bead on an iron mandrel, Gotland (photo from 

Gotland Visby Museum; via text and trowel


So, what's next? More beads! This is my first set of necklaces; I fully intend to keep going, to get better and learn how to do more patterns and styles.  I would like to make a better set of necklaces for myself, and I'd also like to make enough beads that I can start giving them away as presents and largesse.  

I want to write for pages and pages on Viking-age bead finds, and maybe I will someday (maybe I'll turn all this into an A&S project and write a huge paper one day), but for now, here are some of my favorite online places to go to read about Viking-age beads: 







SCA: Camp Furniture Makeover

 So, this folding camp chair was pretty cool.  I bought  a regular old nylon camp chair at Walmart in 2019, removed the nylon covers, spray-painted the frame and the tray, and replaced the covers with pretty fabric, to make it look a little less modern and make it blend in with the wooden camp furniture a little better. Brown spray paint isn't going to fool anyone; but when you place the chair amongst all the wooden furniture, it at least looks a little less plastic-y.  

However, in March, the stitching on one corner of the back piece on this chair gave out and nearly dropped me on the ground at an event - I ended up shoring it up with safety pins in order to keep using it.  




Time for a new cover!  This time it's made from some dark green cotton damask upholstery fabric I had in my stash: 

(the back is the same as the seat and arms; the light is just making it look weird)



Hopefully this will hold me at least another four years.  Maybe by then I'll have built myself a wooden folding chair.  HA!  Yeah, right.  





21 April 2023

SCA: 3 Things: Random Viking Kit Stuff

This is such a small thing, but it's a huge accomplishment for me!  I've been learning how to inkle weave...very...slowly...and without much forward progress.  I assumed my work was wonky because I was new, but that I would get the hang of it and it would stop being bumpy and fuzzy with practice.  I was using scrap yarn for this, which is...bumpy and fuzzy.  A weaving friend of mine told me it was likely the yarn's fault, and not mine - so I decided to try it with a new material. 


This time, I used #10 cotton crochet thread, and it came out MUCH more evenly and smoothly, thank goodness!  I made a pair of short (about 1y each), thin (3/8") garters to wrap around my winingas when I dress as a male Viking, to mimic some pictures I've seen online from some of the European reenactment groups.  I really liked the look, and since my raven clasps broke, I had nothing to secure my winingas with.  (Actually, the red garters are purely decorative, since I tuck my winingas in at the bottom).  (Also, I don’t know how period the whole winingas-and-garters thing is. I’ve seen this done as part of the Finnish Iron Age dress recreation (the “Eura dress,” 6-7th century), but I don’t know  if the style carried over into say, Sweden or Denmark, or for how long a time period that style was worn). 


*


After the little raven clasps from my winingas broke (the hook snapped off of one), I made the broken one into a piece of jewelry - it's now a pendant for my Viking "festoon" necklaces: 



Now I have three raven pendants for my necklaces: this one, a brass Rus Borre style raven; a silver Rus-style pewter raven that I got as a site token from Candlemas; and a modern silver stylized raven pendant that my BFF got me for my birthday many years ago.  All the ravens! (I also have a pretty nifty knotwork raven tattoo, but sadly it doesn't show with all my garb on.  Oh, well).  Anyway, the clasp on this is totally modern, but I use them on all my raven pendants, and they don't really show because they're hidden between beads.  


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Also, I dyed my male Viking tunic with some leftover dark green RIT dye, because the colors were grossing me out. The greige and blue look was nice, but I just look awful in beiges and warm grays.  So now the tunic (and outfit) is green and dark blue, and I like it much better. 


More soon! 


17 April 2023

Regency: A Picnic!

 Over the weekend I went to my very first JASNA event: their annual Box Hill Picnic, in Buda, Texas. I have to admit, I was very apprehensive about going - I'm not exactly a "social butterfly", and new people, and groups of people I don't know, and doing new things, intimidate me something fierce.  

The picnic was lovely, though. It was a smallish group; I met a handful of really awesome ladies and gentlemen who were happy to entertain a newcomer.  We all played a quiz game designed to get us talking to each other (mostly Emma trivia, and I was thankful I'd just read it again recently), ate a nice lunch with wonderful desserts, and took a walk around the park together to admire the local wildflowers.  

I think I'll definitely go back to more JASNA events - now I know there ARE lots of events, even though it's been hard to find info online. There's a Meetup group and a book club, there are English Country Dance classes every now and then, dinners and lectures and all sorts of nifty things to do.  

Here's me and my friend, Star, out at the picnic with our little paper name tags, hehe: 


I wore my white dotted/striped gown, with my blue linen open robe and green linen hat, along with my coral-and-mother-of-pearl jewelry and a Lover's Eye on a gold chain that I made.  Thankfully, I wasn't the only one "in costume" - several other ladies showed up in Regency finery, including one woman dressed all in black mourning, which was pretty cool.  

Hooray, I got out and tried a new thing, and it was wonderful!  I can't wait to go again.  Before the next "costumes welcome" event, I have a new Spencer to make...more on that later.  



13 April 2023

Regency: Lavender Striped Drop-Front Dress



I LOVE striped Regency dresses. I keep thinking about making one, but I had no fabric to use …but wait, I thought - don’t I have a lavender striped cotton duvet cover in storage not being used for anything? 


I’d seen people use duvet covers and sheets for regency dresses before (I've even made a dress out of a pair of curtains myself); but I was worried it wouldn’t be enough fabric, but it turned out, the duvet cover was exactly enough for what I needed. (And to tell you how old this thing is, I got it at Linens N Things - remember them? It’s old but it’s in great shape).  








I used my Reconstructing History pattern for this dress, because I wanted the flat front and bib to show off the stripes. I was leery about using the pattern again, as the first time through was a nightmare - but when I made it before, I knew exactly squat about the construction and fitting of Regency dresses, and now I have more experience and a much better idea of what I'm doing now, and this went together really easily. 



 

I drafted new sleeves for the dress, since I wanted a straight long sleeve, and the pattern only had a short sleeve or a double sleeve option. (The double sleeves are neat, but I have broad, square shoulders, and puffy shoulders make me look like a linebacker, so I wanted a more streamlined silhouette there). I measured all the sleeve pieces from the pattern and then drew out my own sleeves based on that, adjusting the fit a bit for slightly-larger-than-usual upper arms. I also added a thin wrist band with a hook on it to close the sleeve around the wrist: 




I started this project and got about halfway through it when I realized I was going to have to make a new corset to go with it.  You can read about that in my previous post here.  


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But wait, you say, isn't lavender/purple a mourning color?  Yes and no. From what I've read, in full mourning (the period right after a person's death) one would wear black or as near to it as was feasible (gray, dark gray, black accessories if you didn't have/couldn't afford a new black dress, etc.).  In half-mourning (the later half of the mourning period, designed to transition you away from all-black and back into more cheerful colors), softer, muted colors like gray and lavender and purple became acceptable.  You could always wear purple any time you wanted, of course - it wasn't strictly reserved for half-mourning.  The folks in the Regency weren't nearly as strict about these things as the Victorians were.  

That said, if I wanted this dress to be a half-mourning outfit, I could always accessorize it with my black crocheted mitts and a sheer black shawl: 



I love my new dress, and I plan to wear it this weekend: the local JASNA is having their annual Box Hill Picnic near Austin, and so I’m grabbing a couple of Regency-friendly friends and we’re headed down!  I’ve never been to a JASNA or Regency-themed event before - I did check to make sure costumes are allowed, and was told that yes, some people wear Regency attire to the picnic. Now I just have to figure out what to bring to eat for lunch. And what to do with my hair! And - where the heck are my white gloves??