SCA: 2026 Summer Project, Phase III (Jacket)

The third component of my summer project is the short jacket.  The thing is, the authors of the 2025 paper on the Bryndum grave G12 didn't actually specify exactly what type of garment it is or how it was constructed.  They say that it's a "short jacket" reaching to about the hip, and they say that it appears to have been tailored to the body based on the way some of the pattern pieces and seams are oriented - it's not just a straight rectangular cut.  But aside from that, details are scant. So, just like with the pleated serk, there's a lot of filling in the blanks based on what I know of other, similar garments (in my head I'm thinking of this as "substituting with frog DNA" like in Jurassic Park, lol).  

So, there are two types of outerwear jacket/coat known from 9th-century Norse graves: the klappenrock, which is a rectangular-cut short (hip or thigh length) jacket that has a cross-over wrap front which is secured by a belt.  This garment has only been found in a couple of graves, and all of men.  The other type is the caftan we know from Inga Hagg's analysis of the Birka graves, which she documented as having belonged to female graves, and which is a longer, open-fronted garment secured with a brooch or pin in the center front, very similar to the buttoned caftans we see in Slavic and Russian settings from the same time period. 

My adaptation is modeled after Hagg's "caftan" garment.  It's cut with curved armpit/sleeve seams instead of the square armpit gusset you see in rectangular construction, and with sides and back fitted to the body and then tapered outwards to form the "skirt" of the jacket that fits over the hips.  We have no guidance from the ATR article on how this jacket was constructed other than the note that it was likely tailored to the body, so I've done the best I can in fitting the pattern a bit more exactly than you get with rectangular construction.  

Where the Bryndum jacket is made of wool lined with linen, I've made my adaptation out of a heavy (9oz) linen with a lighter weight (5oz) lining.  (I started with a "medium" (9oz) weight wool fabric, but it was WAY too heavy for this application and it would have looked just awful, so I decided to start over with linen fabric instead, which just happens to be much better suited to the hot Ansteorran summers and to machine-washing anyway. After all, I DO actually want to be able to wear - and wash -  this outfit!)  

I have absolutely no idea how the Norse would have accomplished lining their wool garments;  I chose to flat-line my jacket, by first basting the lining pieces to the jacket pieces and then sewing the combined pieces together.  Why? Mostly because I just like the way the felled seams look on a flat-lined garment; we do have examples of this type of lining in newer garments from the 14th and 15th centuries, so at least it's "SCA period" if not specifically known from Norse finds. Because I was going to be removing the basting stitches as I went along, I used a cotton sewing thread to baste the lining/outer pieces together; the actual sewing is done with linen thread which just *almost* matches the blue fabric (it was as close as I could find). 

Stitches used are pretty basic:  running stitch (seams), back stitch (seam reinforcement every few inches), and whip stitch (to fell the seam allowances open). There's also a staggered running stitch which the ATR article discusses as relates to hemming the top of the apron dress, which I used to hem the edges and the sleeve cuffs of the jacket.  

So. That's my Bryndum jacket for the time being.  I'm keeping my ear to the ground on this one - I can't wait to read more papers on the find, and I hope there'll be much more detailed analysis on the whole outfit in the future.  

Oh, and yes, this is what the wooden display stand that I built in May was for.  I plan to display the serk and apron dress on my dress dummy, and this jacket on the wooden stand.  I'm going to need to get a wagon to cart all this stuff around!  

Next stop: the apron dress...

SCA: A Klappenrock for Ivar Hersir

My good friend Ivar was given a piece of gorgeous wool several years ago that he’d always wanted to have made into a coat, so I volunteered my services. He and I sat down at the last event and took some measurements and discussed styles, and he basically gave me free rein to “do what I do,” hehe. 

It’s lovely fabric, a medium-weight wool of about 4y.  It looks dark gray from a distance, but up close it’s made up of black, light gray, and dark blue threads in a herringbone twill striped pattern, with a thin stripe of brown every few inches. 

I made it into a klappenrock - the tunic-length coat with an angled front that wraps over in the front, for male Vikings. I don't know a whole lot about the archeology behind this style; it’s described by Inga Hagg from her studies on the finds at Hedeby (10-11th century).  I've seen the klappenrock in the SCA, although not often, and usually made out of linen. 

The pattern I drew up was pretty simple - it basically looks like the drawing above. Nothing fancy, no gores or gussets, just angled front and back pieces. I didn't have an Ivar available for fittings, as he lives two hours away from me, but I had him bring me the fabric as well as a tunic of his that he liked and which fit him well, and used that as a jumping-off point for sizing and shaping the coat.  I did take measurements of him as well, when he delivered the fabric to me at the Bjornsborg fall event a couple of weeks ago.  

Sewing this coat was also very simple.  I did the seams on the machine to save myself some time, and then hand-finished all the seam allowances for a period look.  I couched a length of brown wool yarn along the seam allowances edges with a herringbone stitch to help protect them from fraying: 

I used a herringbone stitch in black thread for all the seam allowances and for all the hemming on the open edges. 

Very often you see these coats with a contrast guarding around the edges, and I didn't do that (I had no extra fabric with which to make one), but I did finish the front edges and sleeve cuffs with a band of tablet-woven trim which I made.  

The pattern for the woven trim is  Ladoga 2b, which is a Rus design from Staraya Ladoga barrow in Russia; in blue and white with a red and black border.  I made about 3.3 yards to go around the neckline and front opening, and another yard or so for the sleeve cuffs. 

And that's it.  This was a great "quick" project (the coat itself took about five hours to make, and the woven trim took me about a week or so weaving in my spare time).   His excellency absolutely loves it.  Success! 

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It's going to be a while before I post again.  We just finished up Bordermarch's event War of the Rams, and so events are over until February, for me - but I have a LOT to do over the winter, both for the SCA and with projects around the house. 

I'm working on a new outfit for A&S in the spring, a new hood, and a LOT of tablet weaving - including building two new looms.  I'll try to post about the stuff I'm making as I go along.  

SCA: New Winter Cloak

I spent the past few days weaving my butt off. Needed something to do while I wait for fabric to come in the mail. 

I had a bunch of that diamond weave blue wool left over from my smokkr project; it wasn’t enough to make into a coat, so I decided to make it into a large rectangular cloak instead: 

The woven trim is pretty simple - in fact, it’s the first pattern I ever learned to weave, one of the Ladoga designs. I made ten yards of it in three sections, most of it on a “new” loom that someone gave to me recently. (More on that in another post).  

I’m pretty happy with this. It was a fast, fun project which will look great and keep me warm at BAM this year. 

My next post will probably be about more hand sewing, as I’m about to start adding to the blue wool smokkr project to bring the whole outfit up a level. I’m also going to be doing LOTS of weaving the next few months, and I’m planning on building at least one new loom for sure, maybe a pair of them. We’ll see.  

Regency: Teal Cotton Open Robe

After working my butt off on SCA projects since Thanksgiving, I needed a creative palate-cleanser project - and I was itching to do something new with Regency stuff (besides the apron, that was actually a functional thing I needed).  So my first “real” project of 2024 is this teal open robe, along with a new shawl and some new jewelry to go  with it: 

I had this teal cotton in my stash for years, and I'd originally intended to do a Really Awesome Regency Dress with it (like this one), but after chipping little bits off of it here and there over the years for small projects, it ended up only 3 yards long - not enough for something big and fancy.  But it was, I realized recently, exactly enough to make a short-sleeved open robe to wear over my white 1800s gown.  

My inspiration for the color palette for this outfit was this painting of Princess Amelia (youngest daughter of King George III and Queen Charlotte) by Sir William Beechey (1797).   While I didn't want to recreate this exact outfit, I did want to do something with the same color scheme, with which I am in LOVE - the teal dress with the delicate little silver/white designs, the rust/burnt orange shawl and gold sash and armband. She also wears long strands of clear (I'm assuming rock crystal) beads - which you don't see in Regency art very often - and which sort of pick up on the look of the little silver/white dots on her dress. 

The teal dress in the inspiration picture has some sort of white/silver design on it - it’s probably sprigged - and I’m not sure what the design is actually supposed to be. Stars, dots, probably little flowers? I decorated my fabric with little trios of silver dots, which is a design I’ve used before for Medieval stuff; I really like the look of it, it’s delicate and subtle. I chalked out grid lines on the fabric every 6” and then dotted the intersections and centers of the grid with a silver paint pen: 

The robe is about half machine sewn and half hand sewn - I did the primary construction of the bodice and bodice lining on the machine; but the lining is inserted and the skirt attached by hand, and all the hemming and edging is down by hand as well. 

There's a wee bit of a train on the back, too, for the lovely drape it gives when one walks or the wind blows.  

ACCESSORIES

SHAWL

I made the shawl for this dress out of an old SCA costume. The fabric is a soft, lightweight silk twill, in a deep russet color. The SCA costume was a 12th century *cyclas*, which was just made of two rectangles and some triangular gores, so I removed the gores and the neckline and joined the two rectangles together (flat felled seam + rolled hem edge) to make this shawl. 

SASH

The sash in the inspiration painting looks to me like a dark dusty gold, possibly with some kind of print or embroidery on it, but I suppose it could be brown? Mine is a length of gold poly satin, purchased from Etsy as a “bridal sash” and tied around the waistline of the robe. The color is way too light - I wanted a darker gold, almost bronze - but it’ll do for now. I think eventually I’ll get some nice silk and make a new sash for this outfit. 

JEWELRY

I LOVE the rock crystal bead jewelry in the inspiration painting so much! I haven’t seen clear crystal jewelry much in Regency paintings - usually you see pearls or coral, or colored gemstones with fancier outfits.  My beads are glass (for budget reasons), 14mm round, and strung in two 16” strands. Yes, the bead strands should be waaaay longer than they are in order to look more like the inspiration pic, but I used what I had.  

*

Yay! This was a quick, simple project, and a much-needed break from SCA stuff for a minute.  It's easy to wear, and versatile. 

And I have no idea what's next!  I have LOTS of ideas for new Regency costumes, new Viking stuff and weaving projects, and even a dip into Victorian for the first time (maybe), but where to start?  I think I need a break…I’m also refinishing an old wooden table right now, but I’ll be back soon. 

 

Regency: Teal Velveteen Pelisse

Behold:  a finished velveteen pelisse for winter wear!  

Last fall I acquired a huge stack of velveteen Ikea curtain panels from my local neighborhood swap group.  I knew right away I wanted to make a pelisse out of it. The fabric is heavy and warm, but not TOO heavy - perfect for our relatively mild central Texas winter weather. 

It would be a nifty addition to my Regency wardrobe, I thought, but more than that, I was in dire need of a long winter coat that was affordable - so I knew I wanted to make one, but I could never find the right fabric and pattern for it.  Yes, I absolutely plan to wear this in "real life" as my regular winter coat! 

left: fashion plate from Ackerman's;
right: design inspiration from Laughing Moon

This fashion plate, and this gown, were my first inspirations.  I loved the ruffles around the neckline and the big tie in the front of both, so I decided to use my Laughing Moon Spencer pattern (#129) for the bodice and sleeves, since it already has the shaping and design on the bodice that I wanted. 

I used the skirts from my Reconstructing History round gown pattern as a guide for the width and length of the skirt panels. 

dyeing the velveteen

The first problem was the color of the velveteen curtain panels:  they were bright aqua, which - no. Too bright and cheerful for me.  

Fortunately, they're 100% cotton, so they dyed pretty easily with Rit dye.  I used a 2:2:1 mixture of dark green, teal, and charcoal gray,  and came up with this lovely deep muted spruce green color.  (Okay, it's TEAL. Rit dye's formula charts call this "Blue Spruce Green," but it's totally teal).  

 

inside ties and hand-finishing

The pelisse is lined in a sage green cotton fabric that started life as a duvet cover I had sitting around not being used. Here you can see the ties I placed inside the bodice to help hold the thing together - I didn't want to rely on the belt/sash to do the job on its own.  The ties will help keep everything aligned properly when I wear it. 

The problem with dyeing the fabric was that I originally did it in two separate batches.  I measured carefully, and used the exact same dye on both batches...and yet, they still came out slightly different colors - one batch was a bit greener, and one batch was a bit bluer. 

So, after I finished the pelisse, I overdyed it again to bring the colors back in together.  The lining dyed, as well, and now it matches the velveteen fabric. 

bodice back

Since I do plan to wear this coat mundanely (i.e. not as a costume, but as regular daily wear), I made a few modifications to the pattern to help it be more wearable - the inside ties are one. 

I also lowered the hem of the bustline by 3" to accommodate a "normal" modern bustline.  It still fits fine when I'm corseted, but since I mostly won't be wearing this with a corset, I wanted it to conform to my "regular" bust shape when I'm wearing it to the office, for example.    

I added hidden side-seam pockets to the skirts as well.  Bitches need pockets! I generally don't carry a purse - just my phone which is in a wallet case, and my keys, and I needed somewhere to stash them. 

I also added belt loops to the side seams of the waistline, to help keep the belt/sash in place. 

before hemming the bottom

Altogether, this pelisse took me about 12 1/2 hours (over the course of 7 days) to construct and finish.  Most of it is sewn on the machine, although I did do all the finishing - anything that's visible from the outside - by hand.  Because it's so long, and there's so much fabric, it's surprisingly heavier than I thought it would be, and it IS very warm.  It'll make an excellent top layer and windbreak in winter weather this year. 

Thankfully, our winters are generally pretty mild, usually averaging about 40-50º most of the time, and only getting down into the 20s-30s for a couple of weeks in January or February; so this pelisse didn't have to be very heavy - it's mostly just a windbreak and an extra layer. With a sweater underneath and a scarf at the neck, it'll be just fine for the weather here.  

Things I would change if I had to do this again: 

(1) the sleeves are a teensy bit too long. They're lovely, but I worry about them being in the way while driving.  

(2) the back of the bodice and the shoulders are very fitted, and I worry that they won't accommodate more than a very thin shirt underneath - I won't be able to wear sweaters with this thing.  (Good impetus to lose a bit of weight before this winter!) 

(3) The belt loops are laughably too big. I should have made them half the size I did; but it's okay, I doubt anyone will notice or care. 

SCA Viking: Herringbone Linen

 Several months ago, I purchased the most beautiful fabric from a friend who was cleaning out her stash: it’s 100% linen, light gray, in a herringbone weave. I’d always wanted a herringbone or twill weave in my viking wardrobe. 

I dyed the linen a deep intense blue, with Rit’s “Indigo” dye. It actually didn’t turn out all that well the first time, but I made the dress anyway and then dyed it again and this time it came out beautifully. 

I applied a handwoven tablet weave trim (from Etsy) to the top front of the dress, and used very thin loops for the straps. Here is the finished product on the mannequin: 

As a bonus, I used the remaining herringbone yardage to make the shawl: I picked out the weft threads on two ends of the piece to make a fringe, and knotted it.  Just a little lightweight something to wrap up in on breezy evenings. 

Now I have three whole dresses I can wear to events this fall. (All the dresses I made last year sadly are already too small; but I’m working on that).  The “agave” dress I made in January (I’ve changed the trim on the top), and a dark teal one (“apatite” from Fabric-store.com), and now this. Time to start working on accessories and camp things.  

A New Coat

I like my existing Viking coat just fine.  I last worked on it in November, and I was really happy with the result.  It's super heavy - heavy cotton lined with linen, with faux fur trim all around the edges - and very warm.  At BAM in November it got into the low 30s, and this coat was fantastic then.  (30º is Basically Arctic for us Ansteorrans).

However, I wanted something a little bit lighter, for cooler but not freezing nights.  Something without all the fur, something with a bit more swish to it.  I'll be honest with you, the idea started when I saw a coat on Pinterest that I absolutely loved, and resolved to make a copy of for myself.

So of course I made a new coat which is nothing at all like the Pinterest coat, because I couldn't find fabric in the right color.  I did, however, find a lovely shade of green linen at Fabric-Store.com called "Agave" that derailed everything I'd been planning, because I fell head over heels in love with it, and I ended up designing a completely different coat than the one I'd had planned.  You know how that goes.

The new coat is a basic T-tunic shape, with a dropped shoulder seam and angled front and back pieces (no gores).  It's fully lined, and the lining contains two inside pockets, because bitchez need pockets.    The body color is "Agave", and the edge banding and lining are "Graphite", also from FS. I made the blue trim between the body of the coat and the edge out of the remnants of my new blue dress.

I love my new coat!  I can't wait to wear it! Of course, in our weather, I may not get to wear it until late December.  We'll see.  It all depends on when the SCA decides to have events again, really. That might not be until November, from what I'm hearing.

But wait...

Did you notice something else in the pictures?  That's right - I got a new dress dummy!  I'm so excited about it.  My last one, Violet, finally died when I moved two years ago.  I've missed her ever since, and wanted a new one, so I finally treated myself to a replacement.   This one is kind an intense teal, and so in the pics above I have a white tshirt covering her so the color doesn't distract.   Everyone, say hello to Iris:

Let There Be Wool!

This is a picture of me draped in a medium weight tabby wool.

I am allergic to wool.

OR AM I??

I’ve had a few people tell me over the years that I’m not allergic to wool, but rather to the chemicals used in the commercial processing of wool fabric.  To which my reaction has always been a polite “I’ll have to look into that, thanks for the tip” which really meant, “heck off, don’t gatekeep my allergies."

However, I came across a website a while back that went into the idea a bit more, and suggested a washing method that supposedly worked for the author. It sounded simple, so I wrote it down, thinking I’d try it one day if some random wool ever happened to me.  What's the worst that could happen, right?  It wouldn't work and I'd end up with an itchy rash for a day.

Finally, one day, some wool did happen to me.  The piece I’m wearing in the pic was given to me by a good friend, who had been about to donate it to the local craft resale shop because it had some moth holes in it.  I figured this would be a good piece to try out this washing method.

It’s very simple:

1. Soak the fabric in a sink full of cold water with vinegar (I used 3 cups) for thirty minutes 
2. Press the excess liquid out of the wool gently 
3. Wash in the washing machine (yes!) on delicate cycle in a mesh laundry bag
4. Hang dry 

That’s it.  And you know what?   IT WORKED.  I tested the fabric on my arms and hands before I tried this method, and of course, I reacted to it the way I normally do (rash, itching). After the wash I tested it again several times on my arms and hands, and then wore the fabric around like a scarf all evening with the fabric against my face, neck, and arms - I never had a single problem with the washed fabric, and still haven’t. 

It works!  I’m saved!  Now this is just one piece of fabric - it may or may not work on all wool pieces. But I’m encouraged, and I feel like a whole new world of costuming just opened up before me.  I can’t wait to try it again to see if I can repeat my results.  

Unfortunately, when I tried to dye the fabric, it came out like this.  Gorgeous shade of blue, but patchy and splotchy.  Here it is after re-dyeing with a darker color to cover up the mistake:

(dark photo is dark)

Before I dyed the shawl and hemmed it, I cut off about 14" from one edge, where all the moth holes were.  That was still a pretty large piece of fabric, and I decided to get a hood and a small bag out of it:

Here's the Dublin hood I made out of part of what was left.  It came out a Weird Green, I know - but the dye job is smooth and nice.  (It looks weird in the pic, I know - that's just the light from the window).  In this picture it still needs ties.  I'm on the fence about whether to weave some or just buy some twill tape.

Here's the second thing I got out of the remainder of the fabric:  Yet Another Hedeby Bag.  This actually replaces the green linen bag from this post, which was too flimsy and too small.  This bag is 1" around larger in every direction, and is much sturdier.  This time, I sewed in a box bottom.

Both the hood and the bag, and the edging on the shawl, are sewed entirely by hand, because I was bored and needed something to do. Quarantine makes people do weird stuff, you guys.

So, yay wool!  I'm so excited about this.  Like I said, I want to try again to see if this will work on different fabrics, but at the moment, I'm psyched about the fact that I got three articles of clothing out of one piece that I can wear and not worry about having a reaction to.  Three! I will, of course, update here when I test out this washing method again. 

Trimming My Viking Coat

Back in October 2015 I made this coat out of some remnants I had - burnt orange and royal blue linen, and a pair of gray cotton curtain panels from Ikea:

It's a great coat, and I love to wear it.  The only problem is, I made the arms a little bit too short. I don't have any of these fabrics anymore, either, so I can't just pull off the blue cuffs and make new longer ones to match.

Instead I added a second cuff made of white faux fur, to extend the length of the sleeves overall.  The cuffs are interlined with some scrap linen and an iron-on interfacing to help them keep their shape. So that the cuffs wouldn't look like add-ons, I also ran a 3" band of faux fur all the way around the neck and front, and the lower hem of the coat.

(sorry for the terrible picture)

I have to admit, I tried to dye this fur brown at first, because I hated the white - it's just so bright and glowy!  It kept coming out purple, though, no matter what dye I used.  Can't walk around an SCA event with purple muppet fur trim!  So the white is growing on me, I guess.  I suppose I can pretend it's polar bear or something.  What white fur would have been available to eastern Scanindavia in the 10th century?  Fox? Rabbit? Weasel of some kind?  I don't know.  Certainly not purple muppet.

I'll be honest, I'm not happy with the way the sleeves look. The fur cuffs look overly bulky and unbalanced, and the width of the blue section on the sleeves now looks completely stupid alongside the equal width of the fur cuffs.  But overall, I like the way the trim on the whole coat came out - it's warmer, it covers me better, and it's a bit longer on the hem. It's quite a bit heavier, too - I'd forgotten how much weight faux fur adds to a garment.

I would say something cheeky like "I'm ready, bring it on, weather!" but I know better than to tempt Mother Nature like that.  It's shaping up to be pretty cold at the event, and it might be rainy, too.  I've got a coat I can actually wear, now, and a couple of good hoods to cover my head, and I've got lots of Secret Mundane Underthings (leggings, tall socks, long underwear) that I can wear under my clothes, so I should be okay in the cold.

Preparing for this event I always laugh at the crazy weather BAM gets.  This time the highs should be in the 40s-50s.  The last time I went, four years ago, it was 90º during the day.  The year before that it stormed the entire time and flooded out half the site.  You just never know with this event.

What's next? 

I have a pair of new blue dresses to show you, and a "new" apron dress pattern. More on that soon.

Awesome Viking Bling

Valkyrfelt was AMAZING. Bjornsborg really knows how to throw an event. There were so many neat things to do and to learn, there was music everywhere and games to play,  the food was fantastic, and I had SO much FUN.  I went to a workshop where I made a pair of matched Viking arm bands in a period design copied from a piece found in the Cuerdale Hoard:

I got to use hammers and an anvil! 

So there's some awesome Viking bling to add to my wardrobe (And the British Museum has a free online PDF book on the Cuerdale Hoard, check it out).

I got even more bling, too - this awesome brass brooch was my site token! I was surprised to see such nice tokens for an event.  I think these came from a site called Wish, but I'm not sure. I think some people had trouble with the pins falling off, but mine is pretty solidly made.  I plan to use it to close my coat.

So, What's Next?  

BAM is coming up in November - Bordermarch Autumn Melees, now called War of the Rams. It's a five-day war event out in east Texas, and I haven't been in something like four years.  I've missed camping so much; I really didn't want to come back this weekend, and I already can't wait to go to BAM.   

So in the run-up to the event, I've got several things to do:

• I'm making over an old blue apron dress that needed a little help, just waiting on some extra fabric to come in the mail
• Making a new under dress from scratch
• Adding faux fur cuffs and trim to my Viking coat (because the sleeves aren't long enough), and
• Making over my black apron dress as well

So I've got a full plate for the next month/three weeks!  I hope I can get it all done in time.  I'm still working on those couch cushions for a friend of mine, too, so I've got a LOT of sewing to do.  

See you again soon!  

gratuitous cat bawls

S'mo Viking

I've finally finished ALL of the items in the Great Big Viking Project! 

These are the things I've finished since LPT last month:

Here's the coat I've been working in fits and snorts for several months.  I made the gray shell in 2012 for the Battle of Ethandune event; I've just recently added the blue trim, and the burnt-orange lining. 

It's reversible!

Another Skjoldehamn-style hood, this one in Caerleon company colors. The lion appliqué down the center front was embroidered by Simona, on her fancy-schmancy embroidery machine.

A red dress that started out as another plain under dress like my black one, but which scope-crept itself into a lace-fronted loose gown, with seam and edge embroidery and hand-stitched eyelets.

My original apron dress (also from 2012), which was dyed to refresh the faded color, and then embroidered along the seams and straps.

Next on the blog: last-minute event stress (aka Wednesday). 

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A Wild Unemployment Appears! It Is Very Effective!*

Mmmmyeah, remember the hiatus?  Not so much!  It would seem that I have won the "free time" lottery - and boy am I already rocking out the backed up projects! (I still have a lot of house stuff to do, but now I don't have to prioritize so severely, and I'm working on the run-up to Bordermarch Autumn Melees/War of the Rams, which is in four days!)

Friday afternoon I went straight from the [ex]-office to my friend Star's house to work on stuff and help her do the same.  I spent the entire weekend just steamrolling through the pile, and, well, I haven't stopped since.  (And yeah, since I was halfway into moving my craft room, it's been a huge pain in the butt working across three rooms!)

While thinking about the weather this coming weekend for the event, and what clothing I already had that would keep me warm and reasonably dry, I decided to go full Italian for the entire event.  You never go full Italian!  Yes.  Yes, you do.  I find it exciting - this is the first time I've ever stayed in one "mode" for an entire event. Usually I'm all over the place (last event I had a Viking day, a 14th century day, a bliaut day, and then pretty much just wore all my clothes at once for an unexpected cold snap, lol).

And so, although I won't have many pics for you until after the event itself, here's a list of what I've gotten done since Friday so far: 

• Removed the silver ribbon trim from my black gamurra and replaced it with couched gold satin ribbon, and 
• Created a pair of simple early 1500s-era bag sleeves in gold linen with black ribbon ties, and a machine-embroidered motto along the edges (these two things because (a) I didn't have an Italian Caerleon livery, and because my 14th century CL livery is all too small for me!  D:  ) 
• created another pair of bag sleeves in a lovely deep blue swirly damask, to be worn with my brown gamurra
• finished one and created a second long, fabric sash to be worn over my belt
• cut and finished two new, very simple pouches to carry my things in, one of a lovely embroidered silk that I can't wait to show you
• made an exrta-long flannel chemise with extra-long sleeves, to be worn as a nightgown n the frigid eastern Ansteorra winter nights...which was a godawful beige color, so I also bleached it...and instead of simply whitening, it turned bright bubble-gum pink!!!  Dafuq??  Whatever . It's warm, that's all I care about. It's not like anyone is going to see it. 
• Assembled eight simple, canvas "pilgrim bags"/flat satchels, and that'll get its own blog entry next week after I've given them to their intended recipients 
• Figured out how to achieve a hair covering like this one out of veils and ribbons that I already possess

And finally, because I just cannot wait to show these off: 

!!!

Inspired by this photo, I drafted my own version, did a loooot of cutting out pieces ( I got to use a friend's rotary cutter, and I'd never used one before, and that is DEFINITELY going on my christmas list!), a loooot of edge-serging, and at one point in the assembly process made a really pretty squid.  And I finally got to use my gold (plastic) knot buttons that I bought at Gulf Wars three years ago!

I really wanted to get a photo of these over my silk chemise sleeves...but I can't find my silk chemise!  NOOOOOO!   I must locate it before the weekend. While this picture is just over a t-shirt, I did try it on over a cotton chemise, and the sleeve boofs (technical term??) blouse up nicely like they're supposed to over the proper undergarments.












So what's next this week?  A great-coat-thing like this one, of heavy embroidered cotton and fuzzy blanket lining, for warmth.  A whole bunch of small flags, already cut out, that need to be painted and them assembled.  A woodworking project (a simple and quick one, thankfully), for the event.

Once I'm finished there'll be a LOT of sorting and packing and loading of SUVs.

And in between is my BFF's birthday, and a celebratory movie and dinner.  Yay! :D







* For the record, I was laid off from my job, which is not doing so well in the present economy.  This is a GREAT thing for me, though - I've been stagnating there and have often thought of moving on.  Now I get to!


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A Hood!

Next up in my Quest To Finish All the Things is the completion of my crocheted Skjoldehamn Viking hood:

It is not period.  Design-wise, and color-wise, it pretty much is.  But it's crocheted (modern), and the yarn is acrylic (Lion Brand's "Nouveau").  

The ties you see at the front, which would have been affixed near the back of the hood in period, are actually one long drawstring around the neck area of the hood.  For no reason other than that's how I wanted it. Ditto the long tassel on the back of the hood: 

Pattern, yarn, hook, sizing, and other info posted on my Ravelry project board.  :) 

Dang, this thing is warm and soft and comfy. I think I'll likely end up wearing this in Mundania as well as in Ansteorra.  :) 

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