So I had this huge silk quilt. The front was made from dozens of pieces cut from the edge banding on silk saris from India. The border around the front was made from a deep purple dupioni silk. The backing was made from a royal purple rayon challis. It was GORGEOUS. It had been given to me by someone who'd received it as a gift many years before and didn't want it anymore. It was also something I was never, ever going to use - my cats would destroy it, and it was really hot.
After having kept it in storage for years, I looked more critically at the quilt: on closer inspection, the quilt was badly worn around the edges, some of the sari pieces were fraying, it was discolored in several places, there were bleach stains on the back, and the inside was lined with an open-cell polyurethane sheet which was crusty and starting to melt with age.
So I choked back my revulsion to destroying a beautiful piece of art, and cut all the sari silk and the dupioni free of the quilt so that it could be salvaged for other applications. Since we know that Viking apron dresses were often finished with trim made of strips of imported silk and other fine fabrics (Hilde Thunem's paper on apron dresses, see Inga Hagg references/biblio and Birka finds), I opted to use a few of the pieces from this quilt on my naked apron dresses and smocks:
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And two extras:
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And finally, lest you think the orange cat (Rory Williams) is my only sewing friend, meet Rabi and Gypsy: two brothers who also like helping me with my sewing, usually by sleeping in my chair or sitting on my lap to keep me warm while I work.
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